
Exhibit A
An early selection of motorcycle-specific headgear from Harley-Davidson included a pair of tight-fitting

Exhibit A
An early selection of motorcycle-specific headgear from Harley-Davidson includ
My first helmet was a gold metalflake Christmas gift that my parents hoped might keep my teenage brains safely encased in my skull. The next day I used hardware-store spray paint and a roll of masking tape to enhance it with black, white and orange stripes. Turns out my effort at personalization has a long history, like back to the Romans. Since ancient times, a helmet has served not just to protect, but also as an opportunity for identification and self-expression. Which made it the perfect focal point for "The Helmet Project," a special exhibit at the Harley-Davidson Museum in Milwaukee, created in collaboration with the Milwaukee Institute of Art and Design (MIAD).
The exhibit, presented in late 2009, was executed by MIAD students of fine arts and industrial and interior design. The students were challenged to "deconstruct the conventional notion of a helmet," and their exhibits were presented alongside a selection of motorcycle headgear from the Harley-Davidson Archives. The Archives exhibit traced the history of motorcycle headwear, which began for Harley-Davidson in 1918 when the knit-wool "Aeroplane" cap appeared in the company's accessory catalog.

Exhibit B
A soft, military style cap topped the matching uniforms worn by many motorcycle club members before World War II, but endured well into the 1960s even after the popularity of uniforms faded. This couple, Mr. and Mrs. Calvin Bishop of Cincinnati, Ohio, were winners of the Best Dressed Couple and Machine contest at the 1955 Windber Gypsy Tour. (H-D Archives image

Exhibit B
A soft, military style cap topped the matching uniforms worn by many motorcycl
Through the 1930s, motorcycle headgear was styled after that worn by automobile drivers and pilots, and served a similar function for each. "This was an era when everything had an open cockpit," said Jim Fricke, Harley-Davidson Museum curatorial director. "The roads were mostly dirt, and engines had total-loss oiling systems. A key function of headwear was to keep dust and oil out of the rider's hair." Though often called a helmet, the headgear of this era did not offer crash protection. Fleece-lined leather and wool caps were intended for winter use, while cotton twill and colorful rayon fabric was used to fashion lighter-weight helmets for summer comfort.
Racers are depicted wearing protective leather helmets in the mid-Teens. Fricke notes that Harley racer Otto Walker returned to the track following World War I wearing a distinctive leather helmet with an intimidating ridge down the center, which he claimed to have taken from a downed German pilot. Racing organizations began to mandate helmet use in hill climb and other risky competition in the 1930s, and in 1938 Harley-Davidson offered its first protective helmet, the "Winner," which had a rigid fiber crown, leather sides and sponge-rubber padding. Many racers simply wore a football helmet. In Europe, racers adapted cork-lined polo helmets. Painted checkered flags and stripes personalized racing headgear.
At the same time, street riders were organizing motorcycle clubs that favored elaborate matching uniforms, often topped with a visored cap of the style associated with police and military officers. The popularity of this cap persisted long after the uniform fad faded, and it's become an icon of old-school biker cool. "The captain's style cap stayed in the Harley catalog into the 1960s," said Fricke. "I think one attraction was that the fabric made it a good place to display club pins, another form of personalization." The quick advance of military jet aircraft led to the 1953 invention by Northrop Aviation engineer Charles "Red" Lombard of a pilot's helmet with a fiberglass shell and a crushable foam liner, the basic design used today. The term "jet helmet" is still used to describe an open-face helmet in the U.K., according to Fricke.
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Exhibit C
A hard-shell "safety helmet" in several styles returned to the Harley-Davidson catalog in 1958, along with helmet accessories. (H-D Archives image)

Exhibit C
A hard-shell "safety helmet" in several styles returned to the Harley-Davidson
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Exhibit D
Headgear displayed at the Helmet Project exhibit at the Harley-Davidson Museum included a leather 1930s-era football helmet, personalized with blue paint and a silver racing stripe. The white-and-blue helmet to the left was covered with vinyl and was offered in the 1960s. Motorcycle racing and publishing pioneer Floyd Clymer imported the white-and-black "crash helmet" from Europe in the 1950s.
(Charles Plueddeman photo)

Exhibit D
Headgear displayed at the Helmet Project exhibit at the Harley-Davidson Museum
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Exhibit E
In her interpretation for The Helmet Project exhibit, Milwaukee Institute of Art and Design (MIAD) student Sarah Meadors created Backbone/Bass wood, steel, which she described as "a juxtaposition of freedom and fragility, and a study of life and our means to protect it." (Charles Plueddeman photo)

Exhibit E
In her interpretation for The Helmet Project exhibit, Milwaukee Institute of A
Harley-Davidson first offered a "safety helmet" in 1958, in both racing and police styles, but only off-road riders on Sportsters were typically shown in Harley advertising wearing a helmet. In 1966, the Highway Safety Act required states to enact mandatory helmet laws to receive full Federal highway funding, and in 1967, according to Fricke, all Harley advertising depicted helmeted riders. Millions of newly protected riders used a plain-white helmet as a blank canvas for customization and self-expression, epitomized by the "Captain America" helmet worn by Peter Fonda in the 1969 film Easy Rider.
If you have to wear a helmet, might as well make a statement. I made mine with a can of spray paint.
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Exhibit F
The shapes of bandages cast into this bronze installation created for The Helmet Project exhibit by Milwaukee Institute of Art and Design (MIAD) student Sarah Koss represent "The Illusion Of Safety" offered by a motorcycle helmet. (Charles Plueddeman photo)

Exhibit F
The shapes of bandages cast into this bronze installation created for The Helm
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Exhibit G
Pinstriping, stars and stripes, and the bold graphic design of stunt rider Evel Knievel represent the evolution of the plain, white motorcycle helmet into a colorful object of personal expression during the 1970s. (Charles Plueddeman photo)

Exhibit G
Pinstriping, stars and stripes, and the bold graphic design of stunt rider Ev
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Exhibit H
This twill motorcycle "helmet," offered by Beck in the 1940s, was intended to keep its owner's head clean and comfortable.

Exhibit H
This twill motorcycle "helmet," offered by Beck in the 1940s, was intended to
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Exhibit I
In the 1950s, "Pudding Bowl" helmets like the red-and-blue model by german manufacturer Simson had a fiberglass shell and felt lining. Also shown are Harley-Davidson road rider helmets with detachable ear protection, painted for individual racers, from the 1960s. (Charles Plueddeman photo)

Exhibit I
In the 1950s, "Pudding Bowl" helmets like the red-and-blue model by german man
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Exhibit J
An example of the ideas presented by industrial design students from the Milwaukee Institute of Art and Design (MIAD) at The Helmet Project. This is the vision of student Andy Marogil. (Charles Plueddeman photo)

Exhibit J
An example of the ideas presented by industrial design students from the Milwa
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Exhibit K
A rider taking a 1924 Harley-Davidson FHAC 2-Cam Racer to the track hoped a lid like this Rawlings eight-strap leather football helmet would be better than no head protection at all. (Charles Plueddeman photo)

Exhibit K
A rider taking a 1924 Harley-Davidson FHAC 2-Cam Racer to the track hoped a li
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Exhibit L
In this photo from 1920, racer Otto Walker is astride a Harley-Davidson FCA, and wearing the intimidating leather helmet he claimed to have taken from a German pilot during World War I.
(H-D Archives image)

Exhibit L
In this photo from 1920, racer Otto Walker is astride a Harley-Davidson FCA, a
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Exhibit M
The helmet worn by Harley-Davidson Superbike rider Pascal Picotte during the 2000 season was custom-painted by Troy Lee Designs. (Charles Plueddeman photo)

Exhibit M
The helmet worn by Harley-Davidson Superbike rider Pascal Picotte during the 2